The latest in the Greatest Britons series, by Louise Scott, looks at the life of Scotland’s Robert Burns.
Early Years
Robert Burns was born on 25th January 1759 in Alloway, two miles south of Ayr. He was the eldest child of William Burness (this was how Burns spelled his surname until 1786) and Agnes Broun. His father was a tenant farmer, who built the house where Robert was born and lived until he was seven (it is now the Burns Cottage Museum), before moving to a 70 acre farm (Mount Oliphant) southeast of Alloway.
Robert grew up enduring extreme poverty and hardship, and the hard work he undertook on the farm weakened him and left him with a stoop.
His father provided him with much of his early education, but he attended Dalrymple Parish School in the summer of 1772, until the harvest meant he had to return to full time farmwork. In 1773 he lodged with John Murdoch for three weeks studying Latin, French and grammar.
In 1777, the family moved from Mount Oliphant to a 130 acre farm at Lochlea, where they lived until 1784. Robert moved to Irvine temporarily in December 1781, to learn to be a flax dresser, but the flax shop caught fire during the New Year celebrations and he returned home.
In 1784, his father died, and Robert and his brother Gilbert tried unsuccessfully to keep the farm going before moving to Mossgiel, where they stayed for the next four years. During this time, he met Jean Armour, the daughter of a stonemason from Mauchline. He had a relationship with her, and also fathered an illegitimate child – Elizabeth Paton Burns – born to his mother’s servant Elizabeth Paton. His father-in-law objected to the marriage of Robert and Jean.
Burns became the father of twins in 1786 and went on to be a father of nine children, though only three survived past infancy. He had an affair with Mary Campbell in 1786, and he dedicated several poems (The Highland Lassie, O Highland Mary and To Mary in Heaven) to her. They had planned to emigrate to Jamaica so he could work on a plantation as a bookkeeper. However, he was dissuaded from doing this, and in the summer he published his first collection of poems – Poems Chiefly in the Scottish dialect.
Poems
Poems Chiefly in the Scottish dialect enjoyed immediate success in Scotland. It was brought out by a Kilmarnock printer, and was known as the “Kilmarnock volume”. Many of its poems had been written at Mossgiel farm, and they are regarded by some as his best writing. The poems included The Twa Dogs, The Cotter’s Saturday Night, To a Mouse and Hallowe’en. Burns soon became well known across Scotland.
In 1787, he visited Edinburgh, where he was well-received and attended many well-to-do gatherings. He met Walter Scott here, who was 16 at the time. He made a huge impression upon the young man, who spoke of him in deep admiration.
Burns made many good friends in Edinburgh, and entered into several relationships, one of which resulted in a son.
In the winter of 1787, he met James Johnson, who was a struggling music engraver and seller. Johnson loved traditional Scottish songs, and was determined to preserve them. Burns eagerly shared this passion, and he contributed to The Scots Musical Museum, which was published initially in 1787. This first volume included three songs by Burns, the second volume contained forty of Burns’ songs. In the end, he was responsible for around one third of the 600 songs contained in the whole collection. The final set was published in 1803.
He returned to Ayrshire, and Jean Armour, taking over the farm of Ellisland, which was near Dumfries. He also trained as an exciseman in case farming was to prove to be unsuccessful. In 1789 he began work in Customs and Excise, giving up his farm in 1791. He continued to write, and in 1790, Tam O’Shanter came along. This is a long, narrative poem based on folk tales.
After Burns gave up the farm, he moved to Dumfries. He was asked to write some lyrics for The Melodies of Scotland, and he ended up contributing more than one hundred songs for this. He also wrote for George Thomson’s A Select Collection of Original Scottish Airs for the Voice. He had to become used to singing the tunes before he wrote the words to the music.
As well as writing for other people’s collections, Burns also collected and preserved traditional Scottish songs. He sometimes worked on them – revising, expanding and adapting the lyrics. One of his more popular collections was The Merry Muses of Caledonia which contains popular Scottish music hall songs which were popular even in more recent times. Some of his most famous works are songs which had music based upon older traditional songs. The most famous of these – Auld Lang Syne – has the tune Can Ye Labour Lea.
Burns began to suffer ill health, he had a rheumatic heart complaint, and he died on 21st July 1796, at the age of 37. A collection of his poems was published to raise money for his wife and children, and money quickly flooded in from across Scotland to support them.
Memorials
Robert Burns is regarded as Scotland’s national poet, thanks in part to his writing in Scottish dialect.
Many organisations worldwide are named in his honour and Burns in New York and Burns in Oregon are both named after him. Postage stamps have been issued in the UK to commemorate him, including a set issued to mark the bicentenary of his death in 1996. He has been pictured on the £5 note of the Clydesdale Bank, which, on its reverse, bore a field mouse with a rose in reference to the poem Ode to a Mouse. The notes were redesigned in 2007 and his statue is pictured on the reverse of the new £5.
Locomotives have been named after him – a steam one and later an electric one. His birthplace in Alloway has been turned into a museum.
However, arguably his most famous and enduring monument has to be the Burns Supper. This follows a set format. Guests are welcomed and announcements made. The announcements are followed by the Selkirk Grace, which is followed by the arrival of the haggis, accompanied by piping. Burns’ famous poem, Address to a Haggis is read and then the haggis is cut open. Assembled guests eat the haggis and other foods which may include cock-a-leekie soup. Speeches about his life and works are made, and toasts drunk. In conclusion, Auld Lang Syne is usually sung. These suppers take place across the world, testament to the enduring popularity of Scotland’s national poet.
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